Redbreast Irish Whiskey
Introducing a plucky and playful spokesbird.
How we helped
Who helped us
The Public House
Introducing a plucky and playful spokesbird.
The Public House
Neil Stubbings was invited by creative agency The Public House to capture the essence of Redbreast’s much-loved whiskey and help to usher in a new era of spirited communication for the brand. Neil was given the task of bringing to life the feisty, witty little robin who – just like Redbreast – is meticulously crafted. Throughout a series of films, his plucky character has become a beloved brand mascot.
In this latest film, Neil has once again animated the Redbreast Robin, this time chatting to Chris O’Dowd at a cocktail bar all in aid of #RobinRedbreastDay. Each view of the video triggers a 25cent donation to Birdlife International, for the protection of the common bird.
In the original launch campaign - and in an ongoing partnership - Neil has produced over 20 pieces of social content to run in the US, UK, Ireland, Germany and beyond across multiple platforms.
Character Design
In creating the original design, Neil gave the cheeky little robin a subtle wood grain texture – evoking the quality and craftsmanship of the brand and a subtle nod to the same cask wood that helps make Redbreast so uniquely special.
The robin was also given rich colouring that would play well with lighting to give him extra dimension and weight along with glistening and fairly true-to-life eyes.
A main priority of Neil’s in this character design was to not detract attention from his facial features, which is how Neil would convey the bulk of the robin’s messaging.
The wooden texture also helps to steer him away from being too faithfully realistic, which will allow us more scope in how we develop him as a character.
Animation
Neil animated the robin in a digital stop motion style which means simulating the analogue style of traditional frame-by-frame stop motion techniques.
This style of animation gives us a warm and charming non-digital look and feel. It lent a sense of energy and an unexpected sense of movement about him, much like that of an actual bird in the wild.
This approach also allows for much more imagination and creative integrity when it comes to making him fly, so that the viewer doesn’t expect a realistic, anatomically correct bird movement.
Live Action
To shoot the moving live action plates for the backgrounds of the films, as with any other shoot, we did a location recce with the animation director, took some photos with a stand in 3D printed model of the bird that would eventually be animated, and worked out the best settings for each of the short films we were making. We ended up using various different rooms and outdoor locations within the Irish distillery that makes Redbreast whisky.
Across the campaign films, we oversaw the production of all sets and props, including food (a Thanksgiving meal) and different sets for occasions such as St Patrick's Day and Fathers Day - all needing different themes and art direction. Additionally, we had numerous cast extras to direct in the backgrounds of each of the scenes where a hint of a crowd or a busy bar environment was needed for each of the shots.
Our team composited the animated robin character into each of the scenes seamlessly by using a 360 light reader to ensure we were matching the same lighting on the 3d animated character as in the room/outdoor setting in the live action.